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黄小邪:芝加哥,城南影事

 
 
 

日志

 
 

与蔡明亮电影有关的部分英文资料  

2007-05-21 13:54:01|  分类: 默认分类 |  标签: |举报 |字号 订阅

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Berry, Chris. "Where is the Love? The Paradox ofPerforming Loneliness in Ts'ai Ming-liang's Vive L'Amour."In Lesley Stern and George Kouvaros, eds., Falling for You:Essays on Cinema and Performance. Sydney: Power Publications,1999, 147-75.

-----. "Where is the Love? Hyperbolic Realism andIndulgence in Vive L'Amour." In Chris Berry and Feii Lu,eds., Island on the Edge: Taiwan New Cinemaand After. HK: Hong Kong University Press, 2005, 79-88.(requested 10/09)


Berry, Michael. "Tsai Ming-liang:Trapped in the Past." [Interview]. In Berry, ed., Speaking inImages: Interviews with Contemporary Chinese Filmmakers. NY:Columbia UP, 2005, 362-98.(requested 10/09)


Betz, Mark. "The Cinema of TsaiMing-liang: A Modernist Genealogy." In Maria N. Ng and PhilipHolden, eds., Reading Chinese Transnationalisms Society,Literature, Film. HK: Hong Kong UP,2006.


Cai Mingliang, et al. Aiqingwansui: Cai Mingliang de dianying (Vive l'amour: TsaiMing-liang's film). Taipei: Wanxiang, 1994.


Cheong, Wong Tuck. "What Time IsIt There?" [review] Cinemaya 52 (Summer 2001).
 

Chong, Woei Lien, "Alienation in the Modern Metropolis:The Visual Idiom of Taiwanese Film Director Tsai Ming-liang."China Information 9, 4 (Spring 1995):81-95.


Hsiu-Chuang, Deppman. "Recipes for aNew Taiwanese Identity? Food, Space, and Sex in the Works of AngLee, Ming-liang Tsai, and T'ien-wen Chu." American Journal ofChinese Studies 8, 2 (Oct. 2001):145-68.


Hu, Brian. "
GoodbyeCity, Goodbye Cinema: Nostalgia in Tsai Ming-liang's The Skywalkis Gone." Senses of Cinema 29 (Nov.-Dec.2003).


Hughes, Darren."
TsaiMing-liang." Senses of CinBetzema--Great Directors, a CriticalDatabase.


Koc, Aysegu. "Vive le Cinema: AReading of What Time Is it There?" CineAction 62, 1(2003): 54-57.


Kraicer, Shelly."
Interviewwith Cai Mingliang." Postions 8, 2 (Fall 2000): 579-588.

-----. "What Time Is It There? A Comedy ofRebirth." Persimmon 3, 1 (Spring 2002): 89-91.
 

Leopold, Mark. "ConfinedSpace--Interview with Tsai Ming-Liang." Senses of Cinema 20(May-June 2002).


Marchetti, Gina. "On Tsai Mingliang'sThe River." In Chris Berry and Feii Lu, eds., Islandon the Edge: Taiwan New Cinema and After. HK:Hong Kong University Press, 2005, 113-26.
 

Martin, Fran. "WildWomen and Mechanical Men: A Review of TheHole." Intersections 4 (Sept. 2000).

----."Vive L'Amour: Eloquent Emptiness." In Chris Berry, ed.,Chinese Films in Focus: 25 New Takes. London: BFIPublishing, 2003, 175-82.

-----. "TheEuropean Undead: Tsai Ming-liang's TemporalDysphoria." Senses of Cinema (2003).


Rapfogel, Jared."
TsaiMing-liang: Cinematic Painter." Senses of Cinema 20(May-June 2002).


Rehm, Jean-Pierre, Olivier Joyard,and Daniele Riviere. Ts'ai Ming-liang. Paris: Dis voir,1999.


Rojas, Carlos."
NezhaWas Here": Structures of Dis/placement in Tsai Ming-liang'sRebels of the Neon God." Modern Chinese Literatureand Culture 15, 1 (Spring 2003): 63-89.

Stephens, Chuck. "Intersection: Tsai Ming-liang'sYearning Bike Boys and Heartsick Heroines." Film Comment 32,5 (1996): 20-23.


Trice, Jasmine Nadua. "DiseasedBodies and Domestic Space: Transmodern Space in Tsai Ming-Liang'sThe Hole." Asian Cinema 16, 2 (Fall/Winter 2005):255-67.


Villella, Fiona A."
Noteson Tsai Ming-liang's TheRiver." Senses of Cinema 12 (2001).

Wang,Ban. "Black Holes of Globalization: Critique of the NewMillennium in Taiwan Cinema." Modern Chinese Literature and Culture 15,1 (Spring 2003): 90-119. [deals with TheHole]


Zhu, Ying. "Ts'ai Ming-liang." InDavid Gerstner, ed., International Encyclopedia of Queer Culture– Contemporary Gay, Lesbian, Bisexual and Transexual Cultures.London: Routledge: 2006.


Erotics & Politics: Gay MaleSexuality, Masculinity and Feminism, 1994

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