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黄小邪:芝加哥,城南影事

 
 
 

日志

 
 

芝加哥大学电影系“世界电影史”课程表  

2007-10-05 12:43:07|  分类: 默认分类 |  标签: |举报 |字号 订阅

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INTERNATIONAL FILM HISTORY 1

CMS 285

Fall 2007 

INSTRUCTOR:      James Lastra, Rosenwald 418

E-MAIL:             jflastra@midway.uchicago.edu

OFFICE HOURS: W   1:00-3:00 pm and by appointment

 

COURSE ASSTS:  Andrew Johnston (MAPH) --arj@uchicago.edu

                   Doron Galili (college) – galili@uchicago.edu

 

LECTURES:          T/Th    1:30-2:50 pm -- Cobb 307

SCREENING: W   7:00-10:00 pm -- Cobb 307

                    Sat1:00-4:00   

DISCUSSIONS:     TBA 

 

READINGS:           Thompson/Bordwell, Film History: An Introduction (TB)

                    Munsterberg, The Photoplay

Eisenstein, Film Form

                    Eisner, The Haunted Screen

                    Articles on Chalk (ch)

 

REQUIREMENTS: Lectures, readings, screenings, anddiscussions are essential components of thecourse.  Missing more than three classes orscreenings can affect whether you pass thiscourse.  You must see all of the films and shouldsee as many as possible more than once.  Make-upscreenings and close analyses can be done on video, but this cannotbe considered a substitute for the scheduledscreening.  You must come to class prepared todiscuss the films and the readings.  Writingrequirements include three short assignments and a longerpaper.   

 

Week 1  The Origins of anApparatus

 

25SEP:     Representation of Time, the Body, Spontaneity 

 

Reading:      (TB) Chap. 1

        (ch) Gorky

                    (ch) Winter

26 SEP Screening:     Eadweard Muybridge Zoopraxographer (Anderson, 1974)

             Films of the Lumière Company (France, 1895-1900)

             Early Edison Company Films (USA, 1894, 1900)

             Méliès Trick Films (France, 1900-1901)

             Impossible Voyage (Méliès, France, 1904)

Red Spectre (de Chomon, France, 1907)

             Butterflies (Cines, Italy, 1907?)

 

27SEP:     Magic and Transformation

 

Reading:      (ch) Gunning.

        (ch) Méliès 

             

Week 2  From Attractions toNarrativization

 

2 OCT:  Edison/Biograph; devel. of editing andthe spectator

Reading:      (TB) Chap.2

        (ch) Musser

        (ch) Gunning

 

3 OCT  Screening: Great TrainRobbery (Porter, USA, 1903)

                    Drunkard’s Reformation (Griffith, USA 1909)

                    Lonely Villa (Griffith, USA 1909)

                    Country Doctor (Griffith, USA 1909)

                    Corner in Wheat (Griffith, USA 1909)

                    Lonedale Operator (Griffith, USA 1911)

 

4 OCT:  Early Features; Dramatic Structures

Reading:      (ch) Tsivian

 

6 OCT  Screening: AvengingCoscience (Griffith, USA, 1914)

                    Fantomas, ep. 2 (Feuillade, France,1913) 

 

 Week 3  FilmicAmbitions: Epic Editing and Naturalist Staging

 

9 OCT:  European Deep Staging, ArtisticComposition, Naturalism

Reading:      (TB) Chap. 3

 

10 OCT Screening:     Ingeborg Holm (Sjöstrom, Sweden,1913)  

 

11OCT:     The Total Film; Drama of Comparisons and Montage Trope

Reading:      Eisenstein, 195-255

        (ch) Hansen

 

13 OCT Screening:     Intolerance (Griffith, USA, 1916) 

 

Week 4  Weimar Cinema: PictorialComposition and the Uncanny

 

16OCT:     Expressionism, Theatrical and Pictorial Space and Metaphor

Reading:      (TB) Chap. 5

        Eisner, 9-115

 

17 OCT Screening:     Cabinet of Dr. Caligari (Weine, Germany, 1920)

                    Nosferatu (Murnau, Germany, 1922)

 

18OCT:     Folktales and the Fantastic

Reading:      Eisner, 115-206

 

20 OCT Screening:     Destiny (Lang, Germany, 1921)

                    Der Golem (Wegener, Germany, 1920)

 

FIRST PAPER DUE 

 

Week 5  Hollywood Cinema: Naturalism,Classicism, Glamor

 

23OCT:     Hollywood: Glamor and Anti-glamor

 

24 OCT Screening:     Greed (Stroheim, USA, 1923)

 

25OCT:     Classical Style and Studio System

Reading:      (TB) Chap. 7

 

27 OCT Screening:     A Woman of the World (St. Clair, USA,1925)  

 

Week 6  French Impressionism andPhotogenie

 

30OCT:     French Cinema and Birth of Film Culture

Reading:      (TB) Chap 4

 

27 OCT Screening:     Souriante Mme. Beudet (Dulac, France, 1922)

                    Menilmontant (Kirsanov, France, 1926)

                    Au secours! (Gance, France, 1924)

1 NOV: Epstein and Dulac/Photogenie and Cinegraphie

Reading:      (ch) Epstein

        (ch) Dulac

        (ch) Gunning

 

3 NOV  Screening: Fall of the Houseof Usher (Epstein, France, 1928) (DVD)

                    Arabesque (Dulac, France, 1928) 

 

Week 7  The Soviet Experiment:October in Film

 

6 NOV: Constructivism and Lessons of Montage

Reading:      (BT) Chap 6

        Eisenstein, 3-63

 

7 NOV  Screening: Adventures of Mr.West (Kuleshov, USSR, 1924)

Mother (Pudovkin, USSR, 1926)

 

 8NOV:     Eisenstein and Theories of Montage: Action to Intellect

Reading:      Eisenstein, 108-121, 150-178

 

10 NOV Screening:    Strike (Eisenstein, USSR, 1924)

                    Potemkin (Eisenstein, USSR, 1925) 

 

SECOND PAPER DUE 

 

Week 8  Germany and the Soviet Union;Cinema and Modern Life

 

13NOV:     After Expressionism: Neue Sachlichkeit and Cinema

Reading:      Eisner, 207-299

 

14 NOV Screening:    Last Laugh (Murnau, Germany, 1924)

                    Spies (Lang, germany, 1928)

 

15NOV:     Montage: Forces of History and Nature

Reading:      Eisenstein, 64-107

 

17 NOV Screening:    Earth (Dovshenko, USSR, 1928)

                    General Line (Eisenstein, USSR, 1927) 

 

Week 9  City Life and Cinema

 

20NOV:     Metropolis and Cinematic Life/Communitst Decoding

Reading:      (ch) Vertov

 

17 NOV Screening:    Man With a Movie Camera (Vertov, USSR, 1929)

                    Berlin (Rutttmann, Germany, 1927)

 

22NOV:     THANKSGIVING 

 

Week 10  Pinnacles

 

27NOV:     Imagery and Space, Drama, and Performance; Late Silents

Reading:      (TB) Chap. 7, 8

 

17 NOV Screening:    Sunrise (Murnau, USA, 1927)

 

9 DEC: READING PERIOD 

 

FINAL PAPER DUE

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