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黄小邪:芝加哥,城南影事

 
 
 

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芝加哥大学电影系“电影研究方法”课程表  

2007-10-07 08:12:32|  分类: 默认分类 |  标签: |举报 |字号 订阅

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Methods and Issues in CinemaStudies 

 

Instructor: Tom Gunning 
Course Assistant:  ScottRichmond

Lectures: Monday,Wednesday  1:30-2:50 
Screenings: Monday 3:30-6:30  307Cobb
 

Week 1

Sept. 24Lecture: Image Movement Narrative

Screenings in class:  Hell’s Angels,(Tribute to Howard Hughes) (Ernst Schmidt Jr.,1969)  Arnulf Rainer, (Peter Kubelka,1960) 

Screenings: Arnulf Rainer, The CountryDoctor (D. W. Griffith, 1909);The MotheringHeart  (Griffith, 1913); Meshes of theAfternoon ( Maya Deren, 1943)

Sept. 26Lecture:  Form and Narrative

Readings: Susan Sontag, “AgainstInterpretation”                                                            

 

Week 2

 Oct. 1 Lecture: Description andFormalism as a Method

Readings: Victor Shklovsky, “Art as Device,”;Edmund Husserl,  Ideas Chapter 4 (sections 27-32)

ScreeningMr. Hulot’sHoliday (Jacques Tati, 1953)

Oct. 3Lecture: Neo-Formalism and the Dominant

Readings: Kristin Thompson, Breaking the GlassArmor chapt. 1 pp. 3-46; chapt.  3 pp. 89 –109;  RomanJakobson, “The Dominant”

 

 Week 3.

Oct. 8Lecture:  From Form to Structure

Readings: RolandBarthes, “ From Work to Text”;  Fernand deSaussure,  from Course in GeneralLinguistics “Nature of the Linguistic sign” pp.  65-70 “Linguistic value” pp.111-126;

Screening: (Au Hasard, Balthazar (RobertBresson, 1964)

Oct. 10Lecture: Structuralism  and Semiotics asMethods

Readings: Jurij Lotman, Semiotics of theCinema , pp. 1-9; 23-46 ; Christian Metz, “Some Points in theSemiotics of the Cinema”

 

Week4.

Oct. 15Lecture: Cine-structuralism

Readings: Metz, Cinema and Language,  pp. 70- 150;Raymond  Bellour, “To Alternate/ ToNarrate” 

Screening: Touch of Evil (Orson Welles,1958)

Oct. 17Lecture:  Film Systems

Readings: Stephen Heath, "Film and System: Termsof an Analysis," 

 

Week5.

Oct. 22Lecture: Cinematic Apparatus as Issue

Readings: Jean Louis Baudry, "Ideological Effectsof the Basic Cinematographic Apparatus";"The Apparatus:Metapsychological Approaches to the Impression of Reality inCinema”

Screening: Rear Window (Alfred Hitchcock,1953)

Oct. 24Lecture: Spectatorship as Issue

Readings:  Metz, ImaginarySignifier pp. 42-80. 

Week 6

Oct. 29Lecture: Gendered Spectators: Issues

Readings: Laura Mulvey,  “VisualPleasure and Narrative Film”

Screening: Peeping Tom (Michael Powell,1960)

Oct. 31Lecture: Spectator and Audiences

Readings: Yuri Tsivian  EarlyCinema in Russia pp. 38-65; Barthes, “Leaving the MovieTheater”

 

Week7.

Nov.5  Lecture: Perception andPhenomenology

Readings: Merleau-Ponty, “Eye andMind”

Screening: The Passenger (MichelangeloAntonioni, 1975)

Nov. 7Lecture: Embodied Spectatorship

Readings: Vivian Sobchack, “What my FingersKnew”

 

Week  8.

Nov. 12Lecture: Cinematic Bodies as Issue

Readings: TBA

Screening: The Nutty Professor (Jerry Lewis,1963)

Nov. 14Lecture: Bodies in Film: on Screen in theAudience

Readings: Shaviro,The Cinematic Body pp.43-55; 107-125

 

Week  9.

Nov. 20Lecture: Technology and Medium

Readings: Martin Heidegger, “The QuestionConcerning Technology.”

Screenings: Sherlock Junior (Buster Keaton,1924),  Modern Times (Charles Chaplin,1936)

Nov. 21Lecture: Pictures and Information

Reading: Heidegger, “The Age of the WorldPicture” 

 

Week10.

Nov. 26Lecture: Time and History Hermeneutics as Method

Nov. 26Readings: Walter Benjamin, “ On the Concept of History,”in Selected Writings, Vol. 4 pp. 389-400; Hans -George Gadamer, “On Scope and Function of HermeneuticalReflection,” pp. 18 – 43 in  PhilosophicalHermeneutics;  Ricoeur, “The Task ofHermeneutics”

Screening: Intolerance  (D.W. Griffith, 1916)

Nov. 28Lecture: Texts in History

Readings:  Miriam Hansen, Babeland Babylon, pp. 131-198; Gunning, "The Individual Film in theCourse of Time"

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