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黄小邪:芝加哥,城南影事

 
 
 

日志

 
 

芝加哥大学电影系“日本新浪潮电影”课程大纲  

2008-06-01 05:29:45|  分类: 默认分类 |  标签: |举报 |字号 订阅

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  Spring 2008

CMST 24907; EALC 24908; CMST 34907; EALC34908

NEW WAVE CINEMA IN JAPAN

MichaelRaine  

Class:                       Tu/Th 12-1:20 Cobb310
Screenings:              Wed 7pm Cobb 307

Office Hours:          Tuesday, 2-4pm, WB301C 

Requirements:Participation, presentation, posting to web site, finalpaper.

Required text: DavidDesser. Eros Plus Massacre: An Introduction to the Japanese NewWave Cinema [Sem.Coop]

Special Events: NikkatsuAction film series at the Siskel Center, April 5-May 23. Freetickets!  

 

SECTION I: The"PRE-NEW-WAVE"

Week 1: Introduction: the highvolume, low budget program picture system

Wednesday 4/2 screening: Jankenmusume (Janken Girls, 1955)

 

Tuesday 4/1&Thursday 4/3 reading:     

Richard Dyer. "Entertainment andUtopia"

Fredric Jameson. "Class andAllegory in Contemporary Mass Culture: Dog Day Afternoon as aPolitical Film"

Joseph Anderson and Donald Richie."Theaters and Audiences" + charts

Extra: ThomasDoherty.  "The Teenage Marketplace" inTeenagers and Teenpics

 

Abe Kobo, Hasegawa Shiro, Nakahara Yusuke, Takeda Taijun. "Myujikaruzu - gendai no me"

 

Week 2: Cinema, literature, andcelebrity culture

Wednesday 4/9 screening:Kurutta kajitsu (Crazed Fruit, 1956)

 

Tuesday 4/8 &Thursday 4/10 reading:  

Graeme Turner. "The Idea of Cultural Studies"

FrancoisTruffaut.  "Yasushi Nakahira: JuvenilePassion"

FrancoisTruffaut.  "James Dean is Dead"

Edgar Morin. "Gods and Goddesses"

Edgar Morin. "The Case of James Dean"

Edgar Morin. "Star Merchandise"

Extra: ThomasDoherty.  "Dangerous Youth" in Teenagers andTeenpics

Extra: Michael Raine.Imagining a New Japan: The Taiyozoku Films

 

Heibon. "Nikkatsu eigaka Taiyo no kisetsu"

Sasaki Kiichi, Umezaki Haruo,Takeda Taijun, Yoshimoto Takaaki.  "Darashinaihanko: judai no hanko eiga o megutte"

Muramatsu, Hanada, Sasaki.  "Iesu to No to: Shokei no heya, Kurutta kajitsuo megutte"

 

Week 3: NikkatsuAction

Wednesday 4/16 screening:Arashi o yobu otoko (The Stormy Guy, 1957)

 

Tuesday 4/15 &Thursday 4/17 reading:

GeoffreyNowell-Smith.  "Minnelli and Melodrama"

Yoshimoto,Mitsuhiro.  "Melodrama, Postmodernism, andJapanese Cinema"

Extra: ThomasDoherty.  "The Clean Teenpics" in Teenagers andTeenpics

 

Ozu Yasujiro. "Ishihara Yujiro ni omou"

Kinema junpo. "Tokushu: Ishihara Yujiro to Nihon eiga"

 

Week 4:Modernity/Modernism/Modernist (Masumura Yasuzo)

Wednesday 4/23 screening:Kyojin to gangu (Giants and Toys, 1958)

 

Tuesday 4/22 &Thursday 4/24 reading:

     Victor Koschmann.  "Revolution and Subjectivity inPostwar Japan" (extract)

Theodor Adorno. "Perennial Fashion- Jazz"

     Walter Benjamin.  "The Work of Art in the Age ofits Technological Reproducibility"

     Extra: Michael Raine.  "ModernizationWithout Modernity"

 

     Masumura Yasuzo. "Eiga no supiido ni tsuite"

     Masumura Yasuzo.  "Aru benmei -- jocho toshinjitsu to fun'iki ni se o mukete

     Ito Sei.  Soshiki to ningen.

 

SECTION II: THE SHOCHIKUNOUVELLE VAGUE

Week 5: Cinema and the New Left(Oshima Nagisa)

Wednesday 4/30 screening:Seishun zankoku monogatari (Cruel Story of Youth,1960)

 

Tuesday 4/29 &Thursday 5/1 reading:  

     David Desser.  Eros plus Massacre, pp.1-38     

     Richard Neupert.  "Cultural Contexts: Where didthe Wave Begin?"

     Yoshimoto, Mitsuhiro.  "Questions of theNew"

     Oshima Nagisa.  "Is it a Breakthrough? (TheModernists of Japanese Film)"

     Oshima Nagisa.  "To Critics, Mainly -- From FutureArtists"

     Oshima Nagisa.  "A Review of 'Sleeping Lion:Shochiku Ofuna"

     Oshima Nagisa.  "Beyond Endless Self-Negation: TheAttitude of the New Filmmakers"

     Oshima Nagisa.  "What is a Shot?"

     Oshima Nagisa.  "The Laws ofSelf-Negation"

     Oshima Nagisa.  "In Protest Against the Massacreof Night and Fog in Japan"

     Oshima Nagisa.  "Banishing Green"

 

     Matsumoto Toshio.  "Eizo no hakken"

     Sato Tadao.  "Eiga no naka no gakuseiundo

     Watanabe.  Nikkatsu mukokuseki action

 

Friday 5/2 special screening:Daisogen no wataridori (Plains Wanderer, 1960)

 

Week 6: Cinephilia (YoshidaKiju)

Wednesday 5/7 screening:Rokudenashi (Good-for-Nothing, 1960)

 

Tuesday 5/6 &Thursday 5/8 reading:    

     David Desser.  Eros plus Massacre pp.39-75

Isolde Standish. "Cinema and Transgression"

     Jacques Rivette.  "Mizoguchi Viewed fromHere"

     Jean-Paul Sartre.  "The Look"

 

     Yoshida Kiju.  "Eiga no kabe: storii-shugihihan"

     Yoshida Kiju.  "Passhon to shite no eiga:'Rokukenashi' kara 'Kagami no onna-tachi made'"(extract)

     Ishihara Shintaro.  "Atarashii eiga to wa nanika" 

 

SECTION III: ALTERNATIVES ANDCONSEQUENCES

Week 7: Genre cinema and the"popular baroque"

Wednesday 5/14 screening: Kantomushuku (Kanto Wanderer, 1963)

 

Tuesday 5/13 &Thursday 5/15 reading:

     Barry Langford.  "Who Needs Genres?"     

     Rick Altman.  "Conclusion: ASemantic/Syntactic/Pragmatic Approach to Genre"

     Mark Schilling.  "Suzuki Seijun"

     Web site:<http://en.wikipedia.org/wiki/Seijun_Suzuki> 

     Chris D.  "Seijun Suzuki"

 

     Watanabe.  Nikkatsu Akushon no karei nasekai

 

Week 8: Modernity, Materiality,and Native Culture

Wednesday 5/21 screening:Nippon konchuki (The Insect Woman, 1963)

 

Tuesday / Thursday 11/15reading:

     Igarashi Yoshikuni.  "From the Anti-SecurityTreaty Movement to the Tokyo Olympics: Transforming the Body, theMetropolis, and Memory"

     Kevin Doak.  A History of Nationalism in ModernJapan: Placing the People (extract)

     James Quandt (Ed.).  Shohei Imamura. (extract)

     Ishihara Shintaro.  [archeological model ofculture]

 

     Imamura Shohei.  "Jisaku o kataru"[extract]

 

Week 9: Toho, ATG, and thecreation of a cosmopolitan avant-garde

Wednesday 5/28 screening: Sunano onna (Woman in the Dunes, 1964)

 

Tuesday 5/27 &Thursday 5/29 reading:

     Mitsuyo Wada-Marciano.  "Woman in theDunes"

     Hirasawa Go.  "The Rise of Underground Cinema andthe Early Years of ATG"

     Yomota Inuhiko.  "Two or Three Things I Know AboutATG"

 

     Abe Kobo.  "Teshigahara Hiroshi no eiga shiso wanani ka"

 

Week 10: The limits of "newwave cinema"

Wednesday 6/4 screening:Kawaita hana (Pale Flower, 1964)

Tuesday 6/3: courserecap 

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