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黄小邪:芝加哥,城南影事

 
 
 

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芝加哥大学电影系课程:蒙太奇:历史,理论与实践  

2009-05-26 23:23:42|  分类: 默认分类 |  标签: |举报 |字号 订阅

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CMST 67201 Montage: History,Theory, Practice

Quarter: Spring2009.

Instr.: prof. Yuri Tsivian

 

SYLLABUS

 

Classmeets MON 12:00 PM - 02:50PM

ScreeningFRI 1:00 PM – 3:30 PM

 

Week 1:Staging and editing

See April3: The Candle and the Moth (Denmark, Holger-Madsen, 1915), King ofParis (Russia, Bauer, 1917).

 

Week 2:Crosscutting

See April 10: An Unseen Enemy (USA, Griffith,1911), Suspense (USA, Smalley/Weber 1913), Birth of a Nation(1915)

 

Week 3:Impressionist montage

See April17: The Wheel, Part I (France, Gance, 1923)

 

Week 4:YURI OUT OF TOWN

MONDAYApril 20 (instead of the class meeting): The Wheel, PartII

See April24: Passion of Jean of Arc (France, Dreyer, 1928)

 

Week 5:Continuity editing – American and Soviet

See May 1: A Modern Musketeer (USA, Dwan, 1915),Engineer Prait’s Project (Soviet Russia, Kuleshov,1918) 

 

Week 6:Documentary editing

See May15: A Sixth Part of the World (Soviet Russia, Vertov, 1926), The11th Year (Soviet Russia, Vertov, 1928)

 

Week 7:Sound

See May 8:Alone (Soviet Russia, Kozintsev/Trauberg, 1931), The Great Consoler(Soviet Russia, Kuleshov, 1933)

 

Week 8:Point of view

See May 22: Rear Window (USA, Hitchcock, 1954)

 

Week 9:New wave

See May29: Tom Jones (UK, Richardson, 1963)

 

Week 10:Modern

See June5: Raging Bull (USA, Scorsese, 1980)

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