注册 登录  
 加关注
   显示下一条  |  关闭
温馨提示!由于新浪微博认证机制调整,您的新浪微博帐号绑定已过期,请重新绑定!立即重新绑定新浪微博》  |  关闭

黄小邪:芝加哥,城南影事

 
 
 

日志

 
 

世界电影史II (1927-1960)课大纲  

2014-01-23 13:24:00|  分类: 杂谈 |  标签: |举报 |字号 订阅

  下载LOFTER 我的照片书  |

International Film History: Coming of Sound to 1960.

Tom Gunning

TA’s: James Rosenow, Ling Zhang

Lectures M W 1:30- 2:50

Screenings M 3:30- 6:30; W 7:00-10:00 pm

Discussion Groups Wed 6:00

Note: all screenings are required. If you cannot make the screenings, you should not enroll in this course.

Week 1 Jan 6

Mon. Lecture: Sound: Speech, Noise, Music; Image: Presence

Screening: Applause (Rouben Mamoulian USA 1929) 80’; The Jazz Singer (Alan Crosland, USA 1927) 88’

Readings: Bazin I pp, 9-22; TB, pp. Combs; Echo and Hum (Chalk)

Wed. Lecture: Talking Film: Fissures and Continuity

Screening: Steamboat Willie (Walt Disney, USA 1928); M (Fritz Lang, Germany, 1930) 110’

Reading: Gunning, M (Chalk) TB, pp. 213-232 (introduction of sound)

Week 2 Jan 13

Mon. Lecture: Symphonies of Sound, Flow of images

Screening: Enthusiasm (Dziga Vertov 1934, USSR ) 67’ L’Atalante (Jean Vigo, France 1934) 89’

Reading: Eisenstein (Chalk) ;

Wed. Lecture: Classical Hollywood Sound Style, Continuity, Invisibility

Screening: It Happened One Night (Frank Capra, USA, 1934) 105’; Trouble in Paradise (Ernst Lubitsch, 1932, USA) 83’

Readings: Bazin I, pp. 22-52; TB, pp. 233-264 (Hollywood studio system)

Week 3 Jan 20

Mon Jan 20 MLK Day: No Screening, No Lecture, No Readings:

Wed. Lecture: “Invisible” Narration

Screening: Stagecoach (John Ford, USA, 1939) 96’ The 39 Steps (Alfred Hitchcock, Great Britan, 1935) 86’

Readings: TB, pp. 265 292 (Other Studio Systems).

Week 4 Jan 27

Mon. Lecture: Alternatives to Classical Style: Renoir and Open Frames

Screening: Rules of the Game (Jean Renoir, France, 1939) 110’ The Crime of M. Lange (Renoir, France,1936) 77’

Readings: Bazin I. pp. 76-124,

Wed. Lecture: Renoir, Realist Imagery

screening La Grande Illusion (Renoir, France, 1937) 114’; Partie de Compagne [A Day in the Country] (Renoir, France, 193 ) 40’

Readings: Bazin, Renoir (Chalk) TB pp. 292-343

Week 5 Feb 3

Mon. Lecture: Alternatives to Classical Style: Depth of Field and Fractured Time

Screening: Citizen Kane (Orson Welles USA, 1941) 119’ Meshes of the Afternoon (Maya Deren, Alexander Hammid, USA, 1943) 14’

Readings: TB pp. 344-368

Midterm Take Home Given Out

Wed. Lecture: Long Takes and Duration

Screening: The Magnificent Amberson (Welles, USA 1942) 88’ Gun Crazy (Joseph H. Lewis, USA, 1950) 85’

Readings: Bazin, Welles (Chalk)

Week 6 Feb 10

Mon. Lecture: Neo Realism: After the War

Screening: Rome: Open City (Roberto Rossellini, Italy, 1945) 100’; Germany Year Zero (Roberto Rossellini, Italy/Germany 1948) 78’

Readings: TB; Bazin II, pp 16-40.

Wed. Lecture: Neo-Realism: Everyday Narratives

Screening Bicycle Thieves (Vittorio DeSica, Italy, 1948) 93’ Umberto D. (De Sica, Italy, 1952), 89’

Readings: Bazin II pp. 41-82, Sitney (Chalk)

Midterm Due

Week 7 Feb. 17

Mon. Lecture: Voyages to thee End of Neo Realism; Time Images

Screening: Voyage to Italy (Rossellini, Italy, 1954) 97’; Il Bidone (Fellini, Italy, 1955) 92’

Readings: Bazin II, pp. 83-101 ; Steimatsky (Chalk)

Wed. Lecture: Post-War World Inferno and Purgatory

Screening: Stomboli (Rossellini, Italy, 1950) 81’; Kanal (Andrzej Wajda, Poland, 1957) 91’

Readings: TB pp. 406-433

Week 8 Feb 24

Mon. Lecture: Post War Japan: Mise en scen and empy spaces

Screening:. Ugetsu (Kenji Mizoguchi, 1953) 96’ Good Morning (Ozu, 1959) 94’

Readings: TB, pp 459-491; Burch (Chalk)

Wed. Lecture: Post War USA: Ambiguities and Invesigation

Screening Anatomy of a Murder (Otto Preimger, USA, 160’)

Readings: BT, pp. 371-405

Week 9 March 3

Mon. Lecture: India’s Alternative Cinema Melodrama and Plotics

Screening: The Cloud Capped Star (Ritwik Ghatak, India 1960) 126’

Readings: Bellour (chalk)

Wed Lecture: Mise en scene Camera Movement and Space and Time

Screening: Lola Montes (Max Ophuls, France , Germany1955) 116’ La Masque 16’ (first sequence from Le Plaisir (Max Ophul, France, 1950), Toute la mémoire du monde 21’ (Alain Resnais, France, 1956)

Readings: TB pp. 434-458.

Week 10 March 10

Mon Lecture: Time and Memeory

Screening: Cronicle of a Summer (Jean Rouch, Edgar Morin, France, 1960) 85’ Hiroshima mon amour (Resnais, France 1959) 90’

Readings: TB, pp. 517-599.

Wed. Lecture: Stirrings of New Waves

Screening: Cleo from Five to Seven (Agnes Varda, France,1962) 90’ Pickpocket (Robert Bresson, France, 1959) 75’

Readings: Bazin I, pp. 125-144; Bresson (Chalk)

Assigned texts

Andre Bazin What is Cinema Vol I and II

Kristin Thompson, David Bordwell, Film History: An Introduction

Avaialbe at Semnary Coop

Articles on Chalk Site

  评论这张
 
阅读(1450)| 评论(1)
推荐 转载

历史上的今天

评论

<#--最新日志,群博日志--> <#--推荐日志--> <#--引用记录--> <#--博主推荐--> <#--随机阅读--> <#--首页推荐--> <#--历史上的今天--> <#--被推荐日志--> <#--上一篇,下一篇--> <#-- 热度 --> <#-- 网易新闻广告 --> <#--右边模块结构--> <#--评论模块结构--> <#--引用模块结构--> <#--博主发起的投票-->
 
 
 
 
 
 
 
 
 
 
 
 
 
 

页脚

网易公司版权所有 ©1997-2016